This book is intended for anyone who is involved in the reproduction of sound with vision, from the enthusiastic amateur, starting to shoot with a video camera (and about to find out that it is usually easier to get good pictures than good sound), to the professional television or film sound operator with the latest equipment for dealing with the most complex production, including stereo. Methodes of handling each type of production situation are dealt with in detail, care being taken throughout to explain the underlying motivation and principles involved.
The book should therefore be of interest to professional and amateur video and movie makers, users of video - visual aids and anyone interested in the reproduction of sound.
The book includes sufficient technical information to enable the operator to understand the basic elements of the equipment and get the best out of it, audio theory being treated in a simple, non-mathematical manner.
The book contains agreat deal of information, and the format, with a complate topic on each page, makes it easy for the reader to pick out subjects of particular interest, or to use it for reference. //yeni
